Shrubs A Group Exhibition Opens at Night Gallery LA
Shrubs opens January 8th – February 5th, 2022 Taking up the storied lineage of the natural as one of the
The Great Unknown open until 19th June 2021
The Great Unknown is open at Cristea Roberts and runs until 19th June 2021. An exhibition of new collages and
New Problems, the lockdown works on view at Simon Lee Gallery, London September 2020
New Problems, the Lockdown Works – Are currently on view at Simon Lee Gallery, London. All of the paintings exhibited
If Not Now Then When Opens at Buchmann Galerie, Berlin September 2020
Solo exhibition of new paintings opens at Buchmann Galerie, Berlin. If Not Now then When. Buchmann Galerie is pleased to
The Great Unknown at Cristea Roberts Gallery, London
The Great Unknown, an exhibition of prints and collage was due to open at Cristea Roberts Gallery in June and
Exhibition Closed in NY
Mira Dancy, France-Lise McGurn, and Clare Woods exhibition at Simon Lee New York has closed due to the current situation.
Mira Dancy, France-Lise McGurn & Clare Woods
Opening at Simon Lee New York Tuesday 3rd March – 25th April 2020. Simon Lee Gallery, New York, is pleased
Mono Type Edition for Chisenhale Gallery
Chisenhale Gallery presents a special limited edition artwork by Clare Woods, as part of the gallery’s Archive Editions series. The Archive
Latest Ocula Conversation
The latest Ocila Conversation Clare Woods and Jeniffer Higgie at Simon Lee Gallery 19th September 2019. Image Courtesy the artist and
In conversation with Jennifer Higgie
Clare Woods in conversation with Jeniffer Higgie on September 19th at Simon Lee Gallery.
River Bend Till Commission
The River Bend multi tile panel commission was opened in Dallas April 2019
Solo presentation at Dallas Art Fair
A solo presentation of new works at the 2019 Dallas Art Fair 11 – 14 April
Password Revolt
Solo exhibition, Password Revolt, opens at Simon Lee Gallery, New York, Wednesday 16th January 6 – 8 pm and will
English Habits
Solo exhibition, English Habits, opens at Martin Asbæk Gallery Thursday 13th September 4 – 6 pm and will run until
Frieze Magazine – The Edge of Identifiable Form
The Edge of Identifiable Form, Hettie Judah, September 2019 issue, out now.
English Habits, Martin Asbaek Gallery, Copenhagen
English Habits will be opening at Martin Asbaek Gallery Copenhagen, 13th September – 20th October 2019
Royal Academy Summer Exhition
Very pleased to have a small collage included in the Royal Academy Summer Exhibition 2018, 12th June until 19th August
An English Murder: frieze review by Hettie Judah
An English Murder: Clare Woods has a poisoner’s touch The artist’s ominous paintings suggest imminent threat and moral decline at
Rehumanised – Simon Lee Hong Kong – 8th February 2018
Rehumanised – Opening 8th February at Simon Lee Hong Kong
History in the Making, Alan Cristea Gallery, January 10th
History in the Making, opening at Alan Cristea Gallery, Opening 6-7.30pm January 10th 2018 www.alancristea.com
A Green and Pleasant Land, Towner Art Gallery, Eastbourn
British Landscape and the Imagination: 1970s to Now An Arts Council Collection National Partner Exhibition running until 21st January 2018
Who Decides? Making Connections with Contemporary Art. October 2017 – September 2018
The National Museum Cardiff presents works form their collection. The art work in Who Decides? has been selected from the large collection of
How if Feels to Paint.
Andrew Marr in conversation about the need to paint, Sunday Times Magazine October 22, 2017
Inclusion in Two New Publications
Clare Woods Studio is excited to announce inclusion is The 21st Century Art Book, published by Phaidon. And the Francis Bacon
The Herald Exhibition Review
The Herald Review 21st July 2017, Visual Art: Clare Woods: Victim of Geography, Dundee Contemporary Arts by Sarah Urwin Jones. ‘ WITH
The Scotsman Review
Four Star Scotsman Review 17th July 2017 ‘Although the works explore difficult subjects, this show is not an unpleasant place to
Clare Woods in conversation with Rebecca Morrill from Phaidon Press
Thursday 20th July, 7-8pm. Clare Woods in conversation about her exhibition with Rebecca Morrill, Senior Editor for arts titles at Phaidon