A new solo exhibition, Between Before and After opens on 26th March 2022 at Serlachius Museum, Gösta and runs until 5th March 2023. This exhibition marks Woods’ Finnish debut.
Over a career of more than twenty years, Clare Woods (b. 1972) has developed a distinctive painterly language in which form plays a major role. Originally trained as a sculptor, Wood’s way of painting has been described as sculpting with paint. She herself has described her painting process as very physical. She paints on horizontal aluminium bases quickly and instinctively, saying she sees the images as sculptural.
The size of her paintings varies from many metres wide to very small. The artist is inspired by photographs she has collected or taken herself. The transmission of psychological emotional states is characteristic of Woods’ production. She depicts the vulnerability and short-lived nature of life through flowers as well as shapes of the human body. In some of her paintings is present the delicate boundary between illness and health, and ultimately life and death.
Woods’ art often moves in an ambiguous realm: on the boundaries of good and evil, conscious and unconscious. The aesthetics of the works are sometimes beautiful, sometimes ugly. She paints her difficult subjects in the same way as the beautiful: to understand and process even painful issues. Strong brushstrokes unite the works into a cohesive entity.
The names of the works also play an important role in giving deeper meanings. Through carefully selected names, the artist wishes to offer viewers alternative perspectives and interpretations of her art.
Covid-19 pandemic gave rise to series of works
Clare Woods graduated with an MA from Goldsmith College, London in 1999, following a BA in Fine Art from Bath College of the Arts in 1994. She lives and works in Hereford, England. Woods has produced many public works, particularly in the UK, that are known for their large scale. The artist has held solo exhibitions around the world, and her works are in many major collections.
In recent years, still lifes of flowers have been a recurring theme in Woods’ works. They contain strong references to the memento mori tradition, which has influenced painting since the 17th century, but also to personal experiences. From her sickbed, Woods watched as the flowers she received gradually withered, conveying the transience of life.
The artist’s most recent works relate to the protracted covid-19 pandemic and the lockdown it caused. Woods was profoundly affected by the pandemic, but at the same time it was an excellent opportunity to focus on painting. She spent long, uninterrupted days in her studio painting intensively. She gathers into her works perceptions from home, where the slow passage of time makes space for observation. Familiar things take on new meanings when the outside world is not visible but is present in thoughts.
What it means to be human?
The name of the exhibition Between Before and After is referenced to the fact that there is no going back to the past and the future is uncertain. With the current war in Ukraine, the exhibition’s name and the subjects of the artworks have taken completely new meanings.
“My works have always had a trace of perceived fear and the real anxiety this fear causes. If we had not been through lockdown, I would never have been able to imagine what is happening in the world now and how to carry the enormity of this nightmare. Maybe we are all facing the question of what it means to be human”, she says.
The exhibition is a collaboration with Dundee Contemporary Arts and it is curated by Laura Kuurne, Serlachius Museums’ Head of Collections and Exhibitions. The exhibition is accompanied by a book with the same title, which will be published by Parvs Publishing Ltd in April. The texts of the book are in Finnish and English.