Solo Exhibition opens at Norrtälje Konsthall, Sweden 15th June – 21st September 2024
The final part of the tour that has seen the exhibition in its original grouping as Victim of Geography at
The final part of the tour that has seen the exhibition in its original grouping as Victim of Geography at
In Peter Weir’s 1975 film, “Picnic at Hanging Rock,” the contrasting spaces of the visible world, inhabited by prim Victorian
Clare Woods is a choreographer of color and form. The English artist paints horizontally, moving oil across aluminum surfaces in
Tracing Absence brings together works by several artists who find reflection in empty spaces where human presence is silently implied.
The Shape of Things questions the idea that still life is a lesser genre, showing how important it is to
I Blame Nature, an exhibition of paintings by Clare Woods. This is the artist’s second solo presentation with the gallery.
https://cristearoberts.com/podcast/ This episode of Making a Mark explores the work of Clare Woods (b. 1972), the connections between her life and ever evolving practice,
Cristea Roberts Gallery is delighted to present a solo exhibition of new works on paper by Clare Woods. Woods utilises
As a painter during the 1990s, the British artist felt like an outsiderClare Woods originally trained as a sculptor but
The relative compactness of Clare Woods’s exhibition “Silent Spring” belied an intellectual vigor and formal vitality that made it feel
Bump makes for a hearty soup, with the paintings in this Episode making manifest the heady, electric variation of such jarring,
Transparency, a group exhibition surveying artistic representations of clear surfaces, objects and materials. The artists in the exhibition are multi-generational
The Guts and The Glory, featuring artists Samuel Bassett, Kim Booker, Tomo Campbell, Laura Ford, Alexis Soul-Gray and Clare Woods. The Guts and The Glory brings
Stephen Friedman Gallery presents The Place I Am, a group show celebrating its gallery artists and the breadth of the programme. Bringing together
Still Here is a display of seven still life screen prints published by Cristea Roberts Gallery from 2022 – 2023
Silent Spring is the sixth solo exhibition by Clare Woods at Buchmann Galerie. Clare Woods’ oeuvre has its origins in
This exhibition brings ten of the finest examples of Dutch flower painting from the National Gallery to Sheffield for the
The exhibition features works from the past six years and is presented in collaboration with Serlachius Museums in Finland, where
Image of the Artist a new display at the Royal Academy, marking the 300th anniversary of the RA’s first president
A group exhibition including works by Nick Goss, France-Lise McGurn, Clare Woods at Bridget De Leon Gallery, Bath.
Cristea Roberts Gallery opens 2023 with an exhibition of new projects – all completed within the last twelve months –
Simon Lee Gallery is pleased to present Threshold, a group exhibition that traverses the solace of ritual and the continued impact of spiritualism
Great Women Painters is a groundbreaking book that reveals a richer and more varied telling of the story of painting. Featuring
Simon Lee Gallery is pleased to present Between These Words, an exhibition of new works by Clare Woods. For the artist’s
In a recent General Assembly meeting on 13th July 2022, the Royal Academy of Arts announced the election of Clare
A new solo exhibition, Between Before and After opens on 26th March 2022 at Serlachius Museum, Gösta and runs until
After Limbo is Clare Woods first solo exhibition in Los Angeles, and follows her participation in Night Gallery’s group show Shrubs in
Shrubs opens January 8th – February 5th, 2022 Taking up the storied lineage of the natural as one of the
17th June 6pm at Cristea Roberts Gallery, London
The Great Unknown is open at Cristea Roberts and runs until 19th June 2021. An exhibition of new collages and
New Problems, the Lockdown Works – Are currently on view at Simon Lee Gallery, London. All of the paintings exhibited
Solo exhibition of new paintings opens at Buchmann Galerie, Berlin. If Not Now then When. Buchmann Galerie is pleased to