Articles in the catalogue are authored byMichael Bracewell, Rebecca Daniels, Jennifer Higgie
and Simon Martin, with a foreword by Andrew Marr
Publishing Date 2016 Hardback
Texts are in English
Published to coincide with the show ‘The Sleepers’ at Pallant House Gallery, Chichester, and ahead of a series of important exhibitions and commissions, this beautifully designed and illustrated volume is the first monograph on Woods’ art. It presents all the major works from her career to date, from small-scale intimate paintings in oil and enamel to ambitious high- profile public commissions and architectural projects. The dynamic layout of the book, with a varied mix of close-up details and installation shots, gives the reader a strong sense of the diverse scale and immersive, push-pull nature of the work. Five prominent writers consider various aspects of Woods’ practice, including her painting technique and use of photographic source material; her engagement with the traditions of landscape and figurative art; her relationship with artistic forebears such as Francis Bacon, Barbara Hepworth, Graham Sutherland and Eduardo Paolozzi; and the connections between her life and ever-evolving work.
More than a celebration of Woods’ achievements as an artist, this book is also testament to her importance to the future of painting. In his foreword, Andrew Marr asks what should a painting look like in 2016, when ‘so much has already been done by so many extraordinary hands, fingers and brains’? ‘In these pages;, he concludes you will find some answers: